the torino scale ... is a way of gauging the potential damage that may occur in the event of an impact from asteroids or other objects from space. as the richter scale measures the strength and potential damage from earthquakes, the torino scale is used to measure the potential for damage from objects striking earth. it is all about impact... but it is also about beginnings, as scientists discovered that primal dna might have been carried to the earth by an asteroids collision with earth. the torino scale is the debut solo album from berlin based producer and supersoul recordings head xaver von treyer, aka xaver naudascher. the result is astral pop music that swirls around the idea of beginnings, ends and aggregate states, whilst staying true to the known supersoul sound - strong connections to dance music (krautrock, italo, chicago and detroit) without being nostalgic or exclusive to one style.
limited edition of 350 numbered copies. comes as red coloured, black & white marbled triple 12 inch vinyl in heavy cardboard box, including cd-copy of the full album.

quinto is horny... and qnt. vinyl only, limited copies, no repress!

on this second remix 12 inch pbr streetgang deliver a wonderfully deep modern house groove, toby tobias delivers 2 mixes straight out of the 90s basement and glaswegian wunderkind barrientos offers a kind of sun-kissed gypsy woman style re-invention.

excellent soulful detroit rooted deep house

having surfaced with a few potted releases in the mid-nineties, my love is underground have taken it upon themselves to call upon las teflon dons to reissue three punchy lessons in that currently most mined of house music eras. theres no arguing with the authenticity of a track like planet eater, as the subby bass and pounding drums take the lead with just subtle dabs of noise and samples chilling in the background. sun fist rising has a more rounded atmosphere, leaning on layers of keys and a classic garage shuffle for a sweet and soulful end result, while psycho ray gets on a darker tip with creepy vocal samples and moody organ bass

medlar returns with some of his finest work to date for the mighty wolf music. dam swindle on the remix as well.

remastered double vinyl re-issue of this 2007 album by chromatics, including 5 never before released tracks. produced by johnny jewel, vocals by ruth radelet.

j.a.m. traxx is an italian vinyl-only label for lovers of chicago house. featuring productions inspired by the sound of analog synths and machines of the early 80s. j.a.m. prefers a hypnotic atmosphere and everything that shows a genuine passion for an intricate rhythm. limited to 250 copies!

nick höppner and auntie flo present essential tracks fitted for maximum floor response

oskar offermann frankfurt-born dj and producer ...

disko404 is a long-established promotions crew based in graz, austria, whose renowned monthly events are all about celebrating the bass in dubstep, funky, house, juke, grime, hip hop, electro, and experimental sounds. earlier this year they branched out as a record label, launching with a well-received split ep from sun people & franjazzco. their second release features two new tunes by sun peoples simon/off as well as a splendid remix by bass clef.
early support comes from scratcha dva (hyperdub), brackles (rinse fm), phon.o (50weapons), and bunzer0 (sub fm), and with a strictly limited run of 250 pressed, this is a 12 inch that will be in demand long after supply holds out.

kranky was a bit surprised earlier this year when jessica bailiff contacted us and asked if we wanted to preview her new album for possible release. we had no idea she had even been working on an album, let alone had completed one, and we were rewarded with a listen to her most compelling album to date.

nice price deal !!! die langjaehrige produktionszeit des letzten mom-albums >parastrophics< spiegelt sich in seiner angemessenen gesetztheit wider, doch nun - nur 9 monate spaeter - heisst es: wow! hier kommt das totale gegenteil, die spontane reaktion auf all die langen arbeitsstunden im studio, produziert innerhalb von wenigen wochen.

moody yet not morbid, futuristic but not foreign, modern but not without class.

official release of the previously unreleased album of the famous 12inch classic. asso the alter ego of italian producer victorio pezzolla is something like a italo disco one hit wonder. the do it again / dont stop 12inch has original been released in 1983 and is meanwhile one of the most sought after 12inch releases from italy. unfortunately the related album hasent been brought to the market back in the 80s. victorio pezzolla and private records rediscovered the original analog master tape some months ago in an archive of an italian publisher.the absurdity that the music has never been commercially released leads to the fact that this masterpiece, a complete unreleased original 80s album, will be brought to you fresh and unspent in 2012. italo disco, space funk and balearic grooves are combining to an unique italo disco release.limited to 300 copies

back at the dawn of the summer, infinity ink unleashed infinity, a track that quickly became the tune of ibiza 2012. now that the sun is fading and the closing parties are drawing near, dirtybird heavyweight claude vonstroke and hot creations homeboy richy ahmed put their own stamp on the cosmic garage anthem with the long awaited infinity remixes.

keeping with tradition, the second italojohnson release of 2012 once again presents itself in the likeliness of a 12inch wax with three tracks. the one-track mind repeats the same funk-nationalistic character of italojohnson and once more shows its simplicity. this tune comes to its rite where it is loud and dirty but even headz sitting at home will be able to feel the sun rise. boom shakalaka. the double-track side has some surprises in store for its listeners. for those in the know, the first track is also known as >bootytrack<. this track always pushes the low end to the limit and under the right circumstances guarantees some hip swing. number two may sound familiar, but even if you dont know its rootz, youll still be down with each other

sixteen indie-dance tracks including amongst others friends, citizens!, peter & the magician, moonlight matters, rufus.. as well as a world exclusive premier remix of sun, two door cinema clubs second single, by kitsunes founder himself, gildas loaec!

young marco made a big impression to a new lot of listeners at the beginning of 2012 with his esp institute debut, nonono / darwin in bahia (played by dixon and james murphy amongst others). the young man from amsterdam now returns with a sister 12inch to his nonono, a perfectly complimentary piece of wax that maintains his esoteric stance on house music, and proves that hes no one-trick pony. video days blends marcos signature analog synth work with tribal rhythms and a loose sense of narrative, while the flipside later than u think takes a more cheeky approach, pairing a blissfully stabbing core melody with a mousey counter-melody and setting it all over some huge tom-heavy drum programming. these songs are the perfect close to a beautiful summer, whether youre lost in euphoria as the sun comes up, or simply dancing around your kitchen in the nude.

argumento #6 comes courtesy of vidinovski, backed up with a remix by anton zap. pure bliss.

all the way to the sun and back to the dance floor – madrid soul-rockers the right ons get the electroshock treatment from the emperor machine and gomma boss telonius.

catching the last rays of summer! here comes a sun drenched piece of music from tobias linden & riccardo rizza, just in time for closing parties all over. the boys hung out in tobias stockholm studio after a gig together and in a couple of days the song came about. writing was like one fluid motion they say, listen and we think you will feel the energy flow effortlessly quality sunshine music!

another deception of abstract passions to the dancefloor, >cant hide< is a radical dancefloor experience of rhythms and messages from the past to the present of todays chaos! driven techno beats guide the listener trough 60ties science fiction filtered funk licks into the climax. on the b side you find a chaos of reanalyzed sounds from our sun system brother jupiter,the roland tr727 is here live jammed and launched inside warm pads and electrified bass-lines.

dope me / does caroline know? is a slightly clubbier affair-less sun ra and more soul capsule-but still possesses the air of strangeness that makes the duo so unique. each artist leaves his mark within the first few measure of dope me. the steady high-hats and flawless kick drum are straight out of dazes playbook, while the nervous piano and 3 chairs-style claps are unmistakably bruno. as for the slurred vocal pleading >dope me..dope me<, thats anyones guess. the track carries on for a solid nine minutes as half-melodies and quasi-hooks slide in and out of the mix. the b-side, does caroline know?, takes us deeper and darker. the drums are plodding, the mood is ominous, and a series of dreamlike flourishes add to an already eerie groove. like the a-side, its a surrealistic style of house that only these two could deliver. the artwork, as usual, is done by daze maxim.

hotly anticipated does not really do justice to the level of excitement the release of reptile youths debut album is generating among fans and critics alike. those in the know are expecting the danish duo to deliver a defining moment of 2012 - injecting their off kilter brand of highly-charged electro-punk-pop into the worlds consciousness - and reptile youth aren’t in the business of disappointing. reptile youth was formed by mads damsgaard kristiansen and esben valløe in 2009. it was their intense period of gigging through asia and europe that earned reptile youth their radically evangelical fan base, while also prompting a string of superlative-laden reviews hailing the youth as the saviors of rock n roll. hype aside, the incredible energy generated by kristiansen and valløe and their extended live line up have made the arrival of this debut album a red letter day for their clued up followers

following the recent release of his stunning fabric64 album, international virtuoso guy gerber brings his mesmerizing productions back on to home ground to release on his supplement facts imprint. dop frontman jaw, london based producer midland and footprintz golden boy clarian north step in to lend their artist talents, creating nothing short of a flawless release.

after a short summer break spent sunbathing in morecambe, development music return with a rather sun-drenched e.p just in time to catch the end of summer. the ep features a wealth of european electronic music talent, all connected by the innovative production and song-writing skills of dorsets mxm.

big with: luciano, 2000and one, karotte, monika kruse, steve lawler, nick curly, gorge, meat, simon baker, rills. after his successful new yoork sun ep in 2011 steffen deux returns to 8bit with a powerful 3 tracker. groovy drummings and percussions tiny melodies and uplifting breaks with a little touch of acid in morning dew make this release a perfect club tool.

the story begins somewhere far away from awareness and rational thought. our main characters plays the roles of lost but not aimless arrows of pictures. pictures made out of sub atomic movements, amplified through breathable air and finally fragmenting its energy into space. we see the the sun go down in the ocean, the purple and red colors and finally the majestic sight of whales plowing the water in the horizon. it has been many years, in fact, so many years that we are now back again to the same point time. it is like an infinite loop, never loosing pace and determination.

rares deutsches disco-funk album von 1975, produziert und arrangiert von klaus r. nagel (of joy unlimited fame) und fritz münzer. zwölf tanzbare instrumental-titel im sound of philadelphia, eingespielt mit unterschiedlichen musikern und nahezu ausschließlich für die promotion bei tv- und radiosendern bestimmt. eine der wenigen anspruchsvollen und druckvollen lp-adaptionen aus der anfangszeit des deutschen disco booms, mit eigenen kompositionen, der streichergruppe des süddeutschen rundfunks (sdr) und ohrwurmartigen solo-linien von saxophon, trompete, flöte oder analogen synthesizern. erste remasterte wiederveröffentlichung des gesuchten intercord-albums mit original cover design und neuen liner notes.

brand new seahawks album available on double vinyl with gatefold sleeve.

that beautiful summer evening - i gave a very atmospheric inspiration a bright sun incredibly what is setting, hiss of the sea, the birds that flutter around and unusual everything magic.this vinyl release noche con yanaf includes track 1 original + 4 fantastic remix original

das erste treffen der vier bandmitglieder nach einer langen auszeit fand in texas statt, als man sich die zeit nahm, sich als alte freunde wieder anzunähern und als musiker wieder auf eine wellenlänge zu kommen. entsprechend fällt das grandiose ergebnis aus. zum ersten mal schreiben grizzly bear neue songs gemeinsam, zum ersten mal singen die beiden sänger ed droste und daniel rossen gemeinsam, alle titel tragen die handschrift jedes einzelnen der vier mitglieder. so geschlossen und eindringlich hat man diese band noch nie zuvor gehört. shields enthält einige der grössten und mutigsten tracks, die grizzly bear je geschrieben haben, die ihren unbedingten willen zur ehrlichen, ungefilterten gefühlsäusserung offen vermitteln. der grizzly bear-kosmos hat seinen neuen höhepunk

kill for love, chromatics first album since night drive, finally gives this loosely associated, prematurely decayed musical aesthetic its magnum opus and brilliantly transcends it.

summer madness ep is the joint venture by berlin based artists mri, der dritte raum and basti grub. three tracks to feel the sun shining in your face and grooves rolling through your hips. pounding and hissing like a steam engine, summer madness gains momentum out of the city and into the country.

coloured double vinyl in gatefold sleeve.

recorded in dears home studio and mixed at nicolas vernhes rare book room studios in brooklyn, beams evokes a day-lit dreamworld at once strange and familiar. while the albums dancefloor-ready tempos, major keys, and sun-warmed synths signal beams as the lighter, brighter response to its predecessor, closer inspection reveals a squirming mass of oddball details. dears latest productions on beams creak and groan like anxious organisms, with slivers of guitar, electric bass, and drum kit darting in and out among the synths and samples. beams is the latest transmission from one of pop musics most fascinating creative minds. tour dates coming in nov and dec after recently performing live in may this year in select key cities.

gregor tresher and cocoon are linked by a long-time relationship which starts all the way back in 2004, when sven väth played gregors productions in heavy rotation. > about a good place< is a huge prime time floor monster as we like it.

mit gefühlvollem detroit-minimalismus wissen die beiden vorzeige-elektroniker norken (metamatics) und deer (aka martin hirsch) auf ihrem langerwarteten koopalbum >don marco< zu begeistern, das sich unmittelbar der >shoot the sun< ep aus februar 2012 anschliesst und nicht nur hydrogen dukebox-, sondern auch fans der labelinstitutionen leaf, r&s, kompakt und warp ansprechen wird.
inklusive cd-version des albums mit allen 10 tracks.

sonar kollektivs inclination towards dubbed out pop/dance music is definitely no secret (see fat freddys drop or eva be). but with this brand new 7inch the berlin label hits the nail on the head. chicago-born jeremy sole is one of the program selectors at renowed la radio station kcrw and hosts a weekly party in santa monica where he blends afrobeat, funk, reggae, latin, brazilian and everything else under the sun!

after the club tropicana sounds of bang the bomb its time to roll the sleeves up and get down to the business end of this trip. touching down on planet subturanus in search of the real underground shit light sound dark do not disappoint digging deep into its core and excavating strange alien like sonics which had previously been lying dormant.

eric erickssons not exactly the most prolific producer in the world but what he lacks in releases he certainly makes up for in quality. in 1997 eric signed his debut ep to derrick mays fragile records, established his own kass recordings in 2004 and then last year put out his killer someone is watching ep on carl craigs planet e. >love cannot< remixer mr beatnick has been in popular demand since his slow jack remix of hints >one woman army< on tru thoughts profoundly pushed his production skills into the limelight, quickly backed by the 2011 track >synthetes< on semteks >dont be afraid< label, which featured on many tracks of 2011 lists. his follow up ep, sun goddess, has already gained critical acclaim and support from the likes of gilles peterson on radio 1.

persnickety sounds is here to funk-ti-fy your world! in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin.

you may know pnau from their breakthrough side-project >empire of the sun<, elton john signed the pair after listening to their record, and now with his blessing, a selection of eltons old masters has been re-imagined into an album featuring their recreations of his classic hits between 1970 and 1976.
elton himself is a huge fan of pnaus work and gave his blessing as well as access to his original works from that era to allow them to create this revolutionary new collection of compositions.
the lp is presented in a single gatefold sleeve and includes a limited edition exclusive 12x12 inch artwork print. you will also receive a code for a free mp3 version of the album.

next michel cleis masterpiece , this time on dj kozes pampa records... >mir a nero< begins with a steady, upbeat kick underlying a simple piano arpeggio - like if philip glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. by the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the tracks overall organic feel, leading into the playful piano chords and colombian vocal hook. simply put, this is latin house with that anomalous pampa records swagger, drenched with flavor like sangria-soaked mango. flip that baby over and you get >amaranthus<, named after the famed flower that represents immortality. this piece stands as a color-negative of >mir a nero<, an unwavering stomp with just shadows of the piano sample heard earlier. freeze-dried rather than sun-ripened, >amaranthus< is a dubby, more technofied counterpart to the a-side, crafted for deeper and darker moments on the dancefloor.

straying away from their more familiar cutting-edge drum & bass landscape, im:ltd are taking to pastures new with their latest offspring from the somewhat uninhibited and off-kilter quentin hiatus. with a deep sun-dappled atmosphere, mixing old-school house vibes and snappy hooks with a dirty south laidback feel, the different strokes ep might be another mellow and melodic release but its not going to blend into the background. showing a real sense of movement and progression, this ep surely deserves a full play through as each track unravels in its own time, and fits together in order like an audio jigsaw puzzle.